Monday 25th November is International Day for the Elimination of Violence Against Women

Trigger warning. From Karen Ingala Smith and all text (c) her:

Monday 25th November it is the International Day for the Elimination of Violence Against Women. I’ll be highlighting the UK’s shocking record of women killed through male violence in 2013.

Starting at 6.00am, on the twitter account @countdeadwomen, I’ll be going through the UK’s diary of women killed by men. I’ll be starting with the 2nd January when Janelle Duncan Bailey was strangled by ex-boyfriend Jerome McDonald, moving on to 3rd January at 6.10, when Akua Agyuman died, two months after being stabbed in the chest and abdomen by her husband Minta Adiddo. Every 10 minutes, I’ll move through the year to commemorate all the women who I have found who were killed though men’s violence. So far I know of 112 women killed this year, so I’ll still be tweeting at midnight.

Thank you all for your support. We’ve reached 2,500 signatures now but I'm still the one doing the counting. As I've said all along, I'll keep doing it, until I'm convinced the government is doing enough!

Images of some of the women killed by male violence in the UK at a rate of 2 per week

The text on the campaign page lobbying the UK government to Stop Ignoring Dead Women [please click and sign in solidarity] reads as follows:

On New Year’s Day, 2012, 20-year-old Kirsty Treloar got a text from her boyfriend Myles Williams:

Okay wer all gud now and my new yrs ressy is that I aint going to hit u again and I won't hit u 4 this yr next yr the yr after that the next yr after that.

The next day he broke into her family’s home, stabbed her brother and sister as they tried to help, then he dragged Kirsty into the back of his mother's car and drove her away. She was found dead 2 miles away, dumped behind a wheelie bin. Kirsty had been stabbed 29 times.

Michael Atherton, 42, also sent a New Year text. Shortly before midnight, he sent a text to his partner, Susan McGoldrick, saying he was going out and would spend the night away because he didn’t like her sister Alison Turnbull, 44, with whom she was spending the evening. But Susan and Alison came home before he had left. Atherton, who held a gun licence despite a history of arrests for domestic violence dating back 10 years, shot Susan, Alison and Alison’s 24 year old daughter Tanya, before killing himself.

On New Year’s Day, Aaron Mann, 31 repeatedly hit Claire O’Connor, 38, with a blunt object before smothering her with a pillow. Her badly beaten body was found wrapped in her son’s sleeping bag and covered in a sheet in the boot of her car on January 2.

On 3rd of January John McGrory used a dog lead to strangle 39-year-old Marie McGrory. Garry Kane, 41, killed his 87-year-old grandmother Kathleen Milward, though 15 blunt force trauma injuries on her head and neck.

So, by the end of the third day of January 2012, seven women in the UK had been murdered by men, three were shot, one was strangled, one was stabbed, one was beaten then smothered and one was killed through fifteen blunt force trauma injuries. Perhaps because it was the beginning of the year, I just started counting, and once I’d started, I couldn’t stop. Since then, I’ve counted 199 women killed through suspected male violence. I urge you to read Karen Ingala Smith's site for more information.

At first I counted women killed through domestic violence. Then, on March 9th 2012, Ahmad Otak stabbed and killed Samantha Sykes, 18 and Kimberley Frank, 17. Otak wasn’t the boyfriend of either of them, but of Elisa Frank, Kimberley’s sister. After killing Kimberly and Samantha in from of Eliza, he abducted Eliza and drove to Dover in an attempt to escape to France. The murders of Samantha and Kimberley don’t fit the definition of domestic violence, but they’re absolutely about a man trying to exert power, control and coercion in his relationship. Their deaths made it clear to me that concentrating on what we see as domestic violence isn’t enough. It’s wider than that. The murders of Kimberley and Samantha by were no less about male violence against women that they would have been if he had been the boyfriend of one of them.

Then there’s Andrew Flood, a taxi-driver who strangled and robbed Margaret Biddolph, 78 and Annie Leyland, 88. When I learned he’d also robbed a third woman it was clear to me that there was a pattern to his actions. In fact, last year, five older women, aged between 75 and 88 were killed by much younger men, aged between 15 and 43 as they were robbed or mugged, including Irene Lawless, 68 who was raped, beaten and strangled by 26 year old Darren martin. The murders of Margaret, Annie andIrene were not any less about misogyny, than those of women killed by someone they were related to. So my list doesn’t just include women killed though domestic violence. We have to stop seeing the killings of women by men as isolated incidents. We have to put them together. We have to stop ignoring the connections and patterns.

The Home Office currently records and published data on homicide victims and the relationship of the victim to the principal suspect and sex of the victim. This does not do enough to tell us about fatal male violence against women:

1. It doesn’t tell us about the sex of the killer

2. It doesn’t connect the different forms of male violence against women

3. It dehumanises women.

The statistic ‘on average two women a week are killed through domestic violence in England and Wales’ is well known but we don't seem to feel horror in our response to this. The murders of some women barely cause a murmur; lots don’t make it into the national media. And so the connections, the horror, the patterns, the deaths continue in silence. Unnoticed. Ignored.

Ultimately, I want to see men stop killing women.

I have launched this campaign, Counting Dead Women because I want to see a fit-for-purpose record of fatal male violence against women. I want to see the connections between the different forms of fatal male violence against women. I want Domestic Homicide Review reports to be accessible from a single central source. I want to see a homicide review for every sexist murder. I want the government to fund an independently run Femicide Observatory , where relationships between victim and perpetrator and social, cultural and psychological issues are analysed. I want to believe that the government is doing everything it can to end male violence against women and girls. And I think the government should be recording and commemorating women killed through male violence – not me, a lone woman in a bedroom in east London

Let’s start counting dead women, not ignoring them. If you want us as a society, the press and the government to stop ignoring dead women, if you want us to find ways to stop women being killed, please join me, add your voice and sign this petition.

All text (c) Karen Ingala Smith

"Nothing for us, without us." Women rise in Afghanistan, Malawi, Nepal, Zambia, Zimbabwe and Ghana.

In February Womankind Worldwide welcomed their partner women’s rights activists from Africa and Asia to London to share their experiences and expertise of women’s leadership and political participation. Further images from the day, all taken by Abi Moore, can be viewed at the bottom of this article.

At the Emmeline Pankhurst statue with Seema Malhotra MP

From countries as diverse as Afghanistan, Ghana, Nepal and Zimbabwe, participants faced a similar challenge – how to overcome the exclusion of women from political and public life.  Despite their different contexts, cultures and political systems, the women highlighted some common problems and common solutions.

Women’s voices must be heard from every corner and at every level. Women are not a homogenous group, and their participation in politics must reflect their diversity.  Durga Sob, founder of the Feminist Dalit Organisation of Nepal said, 

“Dalit women are doubly discriminated against in political parties – Dalit forums are run by Dalit men, and women’s wings of parties are run by ‘high-caste’ women."  

Young women, disabled women, women from ethnic and religious minorities often face multiple barriers to accessing decision-making spaces, and they must be supported.

The women were united in their commitment to focusing on local as well as national politics. Local level is where many of the decisions affecting women’s daily lives are made, and as Wangechi Wachira from Kenya’s Centre for Rights and Awareness said, 

“to be a leader, it starts at family level, and then changes happen at community level.”

 Civil society, and in particular women’s right organisations, provide fertile training ground for women’s leadership, and enable women’s voices to be heard.  Maryam Rahmani, of Afghan Women’s Resource Centre, said,  

“we need to find space for women to speak about the issues that affect them, even when it’s difficult." 

In Afghanistan, where 87% of women have experienced some form of violence, and women activists and politicians are routinely threatened, attacked and killed, this work is vital and dangerous.

Women’s rights organisations help to build women’s confidence and skills, create opportunities and access to political spheres. When women do get into positions of influence and power they are supported to negotiate corridors of power, build networks, and advance women's rights.

The activists were unanimous in the need for affirmative action to level the playing field between women and men.  Whether through political parties, reserved seats or quota systems, the only countries that have made significant progress are those that have taken specific measures.  And compared to those countries, the UK does not perform well.  In Afghanistan 28% of MPs are women, in Rwanda it’s 56% and Mozambique 43%, compared to the UK’s paltry 22%. 

The voices of women from all walks of life need to be heard in all places of power. From community forums to the halls of national parliaments, and on the international stage, as Fanny Chirisa from Zimbabwe’s Women in Politics Support Unit said, 

“Nothing for us, without us."

*****

The organisations attending were as follows:

• Afghanistan: Afghan Women Resource Centre (AWRC)

The Afghan Women Resource Centre provides practical education to girls and women who were forbidden to learn under the Taliban.Their programmes allow women to learn in a safe environment, with a focus on vocational subjects including journalism, business skills and tailoring, in order for women to be able to earn an income and live independently. They also teach literacy, civil & political rights, and women & family law.

Attending: Maryam Rahmani, Country Representative. Maryam got involved with AWRC by doing short management courses when she was at school in Peshawar, Pakistan. In late 2002 her family came back to Afghanistan, where AWRC had opened a sub-office, where she began working. In the meantime Maryam passed her exams and joined Kabul University, eventually graduating with an economics degree in 2007. The
university faculty board wanted to recruit Maryam as assistant to a professor but only on the condition that she left AWRC. Maryam refused as she wanted to continue helping women.

- Case study 1: Campaign: Don't Silence Afghan Women

- Case study 2:  Take Action to Help Afghan Women

• Malawi: National Women’s Lobby Group (NAWOLG)

Potential female political candidates in Malawi often struggle with lack of funds, social pressures to stay at home and patriarchal political organisations. NAWOLG’s goal is to get more women to become involved in the democratic process as voters and representatives. It has a team of professionals specialising in gender, human rights and civic education issues, who help provide training and support to women inside and outside of politics.

Partners attending: Faustace Chirwa, Founder/Executive Director. A gender and women’s rights activist for 17 years, Faustace continues to promote women’s participation in the socio-economic development of Malawi and in political decision making.

And Atupele Chirwa, Acting Executive Director. Atupele started off volunteering with NAWOLG in 2003 and is now acting Executive Director. She focuses on sexual reproductive health and rights issues of young people in Malawi.

• Nepal: Feminist Dalit Organization (FEDO)

The Feminist Dalit Organization was founded in 1994 by a group of Dalit (low caste) women aiming to fight for their rights and overturn caste and gender discrimination which causes women and especially Dalit women to be treated as second class citizens facing very high levels of sexual and domestic violence. FEDO educates women on their rights, offers counselling and organises mass protests and community events to raise awareness.

Partner attending: Durga Sob - FEDO. Durga Sob is a Dalit woman who founded the Feminist Dalit Organisation in 1994 to combat caste and gender-based discrimination in Nepal. Durga is renowned as a passionate feminist and activist in defending the rights of Dalit women in Nepal. She says,

“There used to be no Dalit women in positions of power. Now 25 Dalit women have been
elected as members of the Constituent Assembly and this is one my happiest achievements”.

- Case study: Pabitra's Story

- Example of the kind of context they’re working in:  Women Human Rights Defenders Beaten and Detained

• Zambia: National Women’s Lobby (ZNWL)

ZNWL aims to promote the representation and participation of women at all levels of decision-making through lobbying, advocacy and capacity-building. It provides education, runs community forums, provides leadership courses in schools to boys and girls through their innovative ‘Girl’s Leadership Clubs’, monitors elections and provides support to women involved in politics, for example through Women’s Radio Clubs, supporting isolated rural women to gather to listen to news about politics and current affairs and discuss together so that they’re better equipped to take part in the democratic process.

Partners attending: Juliet Kaira Chibuta, Executive Director. Juliet is a development specialist and a journalist by trade. She worked for national print media organizations including the Zambia Daily Mail and National Mirror where she held various positions including editor. Ms Chibuta has also sat on various boards of media and women’s organisations.

And Beauty Katebe, National Chairperson. Beauty is a human resource expert and works in Zambia’s Ministry of Health. She has vast experience in women and youth issues, democratic processes, capacity building of women, governance and elections issues. She is the current National Women Council Chairperson of the Agriculture, Technical and Professional Union of Zambia.

- Example project More Than Education for Girls

• Zimbabwe: Women in Politics Support Unit (WiPSU)

The Women in Politics Support Unit (WIPSU) provides support to women in politics in Zimbabwe to help increase their participation and influence. It does this by providing leadership and election training for candidates; educates women MPs and councillors about their roles, connecting them with female constituents; organises community forums; and lobbies political parties to implement gender quotas.

Partner attending: Fanny Chirisa, Director. Born in Mutare, Fanny has worked with The Federation of African Women’s Clubs, The Voluntary Organizations in Community Enterprise, Red Banner, Zimbabwe Women’s Resource Center & Network and WiPSU. During the outreach process of the current Zimbabwean Constitutional Reform Process, Fanny was invited to be team leader representing civil society.
They led teams of reporters capturing the views of citizens across the country.

- Case study: Not Service But Power

• Ghana: Women in Law and Development in Africa (WiLDAF)

Since its inception in Harare, Zimbabwe, in 1990, the network has grown to encompass 31 countries, 500 organisations and more than 1,200 individual members. At the national and international levels, the WiLDAF network lobbies for laws that promote women's rights. In Ghana, WiLDAF offers free legal counselling as well as training in legal literacy.

Partners attending: Bernice Sam, Executive Director (Ghana branch). Bernice Sam is a lawyer and human rights activist. She spearheads the campaign for the participation of vulnerable groups in democratic processes including organising women’s dialogues with presidential candidates. She also led the struggle for the protection of the rights of people in non-formalised relationships. Bernice has written and co-authored books on HIV/AIDS, violence against women and the property rights of women.

And Frank Bodza, Programme Manager for Governance (Ghana). Frank has more than nine years’ experience in both local and national governance; having worked with an MP for four years prior to joining WiLDAF in 2005. He is a gender and human rights activist who had carried out numerous public education programmes on women’s rights issues. He is experienced in capacity-building, mobilization, networking and coalition-building and was part of groups that observed the December 2012 general elections in Ghana. He is married with two children.

Richard Sam, Programme Assistant for Governance (Ghana). Richard did his national service with the Ministry of Local Government and Rural Development for one and half years before joining WiLDAF in 2009. He is a volunteer from WiLDAF Ghana on the Coalition of Domestic Elections Observers (CODEO) and the Civic Forum Initiative. Both groups have observed various elections including the December 2012 general elections in Ghana.

- Case study:  Ghana Elections: Time for Women to Rise, Not Fall

- Context can be found here.

• Ghana: The Gender Studies and Human Rights Documentation Centre (GSHRDC)

The Gender Studies and Human Rights Documentation Centre works to promote and protect women’s rights, running a number of projects in rural Ghana working to end violence against women and reduce women’s vulnerability to HIV infection.

Partners attending: Dorcas Coker-Appiah, Executive Director. Dorcas Coker-Appiah is a lawyer by profession and a feminist. She is a women’s rights activist in Ghana and a member of a number of women’s rights organisations. Dorcas has a lot of international experience, having served two terms as a member of the United Nations Committee on the Elimination of Discrimination against Women.

- On work to end the practice of ‘widow inheritance’ read this piece here.

• Kenya: Center for Rights Education and Awareness (CREAW)

CREAW’s mission is to transform Kenyan society through the promotion and expansion of women’s human rights, rule of law and social justice. They provide legal aid and health services to thousands of female survivors of rape and domestic violence, produce informative radio shows and give training and support to community organisations.

Partner attending: Wangechi Wachira, Executive Director. Wangechi Wachira has more than 10 years of experience in senior management. She has experience in lobbying and advocacy, gender integration and inclusion, human rights and development issues.

- More info here on the Center for Rights Education and Awareness

Dorcas Coker Appiah 

Atupele Chirwa

Fanny Chirisa

Frank Bodza

Faustace Chirwa

Maryam Rahmani

Wangechi Wachira

A special post (c) Sarah Jackson at Womankind Worldwide with enormous gratitude and admiration

Bidisha is a 2013 Fellow for the International Reporting Project. She is reporting on issues of global health and development. 

Springtime of the women: a season of amazing talent in spoken word, literature, art, film, theatre and more.

For Books' Sake publish their first fiction anthology; Eve Ensler brings Thandie Newton, Neneh Cherry, Meera Syal and Rosario Dawson to the Lyric Theatre on 26th March; the Human Rights Watch film festival launches with a stunning programme of topical international films 21st-30th March; and a look ahead to Electra Productions hitting Tate Modern with Her Noise, their 3 day celebration of avant-garde women artists' genius at the beginning of May.

1.     For Books’ Sake celebrate smart fiction by smart women with their first anthology, Short Stack, Wednesday 28^th March 2012

In moments of deep despair at the cultural femicide all around, occasionally an amazing heroine shines a light. And sometimes a load of heroines shine a load of lights and throw a party for all their friends. For Books’ Sake is the legendary online magazine dedicated to promoting and celebrating writing by women, in the face of the widespread ignoring and dismissal of women’s work by literary editors, jury panels, TV and radio editors and commissioners and literary event producers of both sexes. The site is brilliantly written, insightful, influential and powerful. Book-lovers and lady likers will emerge from a plunge into For Books’ Sake with a handful of new reading and writing recommendations, a head full of new ideas and a refreshed sense of women’s genius. Get behind this amazing group of women: For Books’ Sake should be a paper magazine, a cultural festival, a TV and radio network, a prize scheme and a full-on touring roadshow with  a free big-bonus raffle and tombola.

If you don’t want to spend your solidarity-time glued to a screen, For Books’ Sake have gone one further and released Short Stack, their first fiction anthology, which is being published by Pulp Press at the end of the month, with a party at 7.30pm at the Tamesis Dock on Wednesday 28th March. You can already get the Kindle e-book edition here. If you want your timbers shivered, For Books’ Sake promise that Short Stack will offer “ten twisted tales of heroines hell-bent on vengeance, reanimated corpses, post-apocalyptic sex and much, much more.” I hope that in the future, the “much more” includes science fiction and fantasy anthologies, because I want in.

2. The Human Rights Watch Film Festival, Wednesday 21^st March – Friday 30^th March 2012.

Just when you were despairing at the gung-ho 3D big studio Cineplex drek on show as spring and summer approach, the Human Rights Watch Film Festival comes to London as part of its global tour, with a series of nineteen intelligent, topical, global, confrontational and eye-opening work, screening at the Curzon Soho, Curzon Mayfair, the ICA and the Ritzy. Visit the main festival site for a full list of screenings and a look at the brilliant line-up of talks and debates happening alongside the films. Most of the screenings are followed by extremely well-programmed panel debates discussing the issues with the director/s, critics, academics, activists and politically and socially engaged artists. If you’re interested in work looking specifically at women’s place in society then take a look at three standout works amidst a generally stunning programme:

Love Crimes of Kabul, Tanaz Eshaghian’s documentary, which follows three young Afghani female prisoners as they go on trial for “moral crimes” which include running away from home to escape abuse and  allegations of adultery. In refusing to fit into society’s norms by their defiant actions, these women come to be seen as threats to the very fabric of society, and their acts of self-determination as illegal.

A still from The Price of Sex

The Price of Sex, directed by Mimi Chakarova, is about young Eastern European women, sex trafficking and abuse. Chakarova’s film is told by the young women who managed to escape and refused to be silenced by shame, fear, and violence. Director Chakarova is an Emmy-nominated photojournalist Mimi Chakarova filmed undercover and gained extraordinary access for this documentary, which won the 2011 Nestor Almendros Award, announced at the Human Rights Watch Film Festival in New York in June last year. The screening on Saturday 24 March will be followed by a panel discussion with Mimi Chakarova and Abigail Stepnitz, national coordinator of the Poppy Project, which provides support to women who have been trafficked. It will be moderated by Liesl Gerntholtz, women’s rights director at Human Rights Watch.

Family Portrait in Black and White tells the story of Olga Nenya, who is single-handedly raising 23 foster children in rural Ukraine. Sixteen are the biracial offspring of visiting African students and Ukrainian women, who often see no choice but to abandon their babies. Olga reveals herself to be loving and protective but also narrow-minded and controlling. A product of communist ideology, she favours collective duty over individual freedom, and this paradox gives the children the sense of belonging they ache for, as well as cause for rebellion and distrust.

I support this festival wholeheartedly. All the films aim to “address economic inequality and consequences worldwide” and are organised around four themes: development, environment and the global economy; migrants’ rights and racism; personal testimony and witnessing; and women’s rights. The roster is impressively international, with 15 documentaries and 4 dramas from Afghanistan, Bolivia, Bulgaria, Cambodia, the Canary Islands, Ethiopia, Iraq, Italy, Lebanon, the Maldives, Pakistan, Palestine, Paraguay, Russia, Switzerland, Ukraine and the USA. Many of the films will be followed by Q&A sessions with filmmakers, and some by panel discussions with experts and film subjects.

The festival will launch tomorrow, Wednesday, 21 March, at the Curzon Mayfair with a fundraising benefit and reception for Human Rights Watch, featuring Emad Burnat and Guy Davidi’s  film 5 Broken Cameras. 5 Broken Cameras documents a Palestinian village's struggle against violence and oppression. The wall consumes much of the village’s arable land and allows nearby settlements to extend onto villagers’ fields. A cycle of resistance and retaliation develops between the village and the settlements.  

On Thursday 22 March, the Curzon Soho will host the opening night film, Jon Shenk’s The Island President, which follows former President Mohamed Nasheed of the Maldives (who was forced to resign the presidency this February) as he fights to convince the world’s policymakers to do something concrete about climate change. The Maldives is in danger of disappearing below rising sea levels, creating the world’s first cohort of environmental refugees.

The closing night film and reception will be on Friday 30 March at the Ritzy Cinema in Brixton. It will feature Nadine Labaki’s drama Where Do We Go Now?,  the story  of a group of women determined to protect their isolated, mine-encircled community. With the women united by a common cause, their friendship transcends the religious fault lines that constrict their society. The film will be followed by a discussion with Nadine Labaki.

Other films to look out for include the following. Further details can be found on the London festival's main site:

• Bettina Borgfeld and David Bernet’s documentary Raising Resistance follows the life-and-death struggle of farmers in Paraguay confronted with the ever-expanding production of genetically modified soy, which requires herbicides and decimates nearby crops.
• Documentary Special Flight, in which director Fermand Melgar has gained  extensive access to rejected asylum seekers and illegal migrants in Switzerland’s Frambois detention centre.
• Maggie Peren’s drama Colour of the Ocean tells the story of a father and son, African refugees whose paths collide with those of an altruistic tourist and a Canary Island police officer.
• Carlo Augusto Bachschmidt’s Black Block documents the police violence and arbitrary detention experienced by seven activists who demonstrated at the 2001 Genoa G8 summit. Each person describes brutal treatment by the Italian police that night, and in the days that followed.
• Annie Goldson’s documentary Brother Number One tells New Zealander Rob Hamill’s story about the deaths in 1978 of his brother Kerry Hamill, and his two friends − John Dewhirst of England, and Stuart Glass of Canada - at the hands of the Khmer Rouge. As Rob retraces his brother’s final days, takes the stand as a witness at the Cambodia War Crimes Tribunal, faces the former prison warden Comrade Duch, who gave the final orders for Kerry and thousands of others to be tortured and killed and meets survivors who tell the story of the notorious S-21 prison. 
• Werner Herzog’s  exploration of life on death row, Into The Abyss: A Tale of Death, A Tale of Life, follows the story of Michael Perry, who was executed eight days after filming began,  and Jason Burkett, who were found guilty of three capital murders in Texas, and unravels the crime and trial from separate viewpoints, including the victim’s families and prison staff.
• Lise Birk Pedersen’s documentary Putin’s Kiss focuses on 19-year-old Masha and her journey through the Kremlin-created Nashi youth movement. Masha supports Putin’s policies of seeking to rid Russia of what Nashi believes are Russia’s “enemies”: political opposition, investigative journalists, and human rights defenders. But as a journalist herself she starts socialising with colleagues in this circle, and  begins to question Nashi and its leaders.
• In Sharmeen Obaid Chinoy and Daniel Junge’s Oscar-winning documentary Saving Face plastic surgeon Dr Mohammad Jawad travels to Pakistan to treat women who have suffered acid attacks. Among them is Zakia, who goes to court to prosecute her husband for her attack. She becomes the first case tried under a new law in Pakistan that punishes the  attackers with life imprisonment.
• Susan Youssef’s drama Habibi tells the story of young lovers Qays (Kais Nashef) and Layla (Maisa Abd Elhadi) who are university students in the West Bank. Both are forced home to Khan Yunis before they have completed their studies and in this more religious and traditional environment their love story can continue only if they marry. Yet Qays is too poor to convince Layla’s father that he can provide for his beloved daughter. In an act of rebellion Qays paints verses from the classical poem Majnun Layla all over Khan Yunis, which angers Layla’s father and the local self-appointed moral police.

And now for......

3.  A Memory, A Monologue, A Rant and A Prayer: Eve Ensler comes to the  Lyric Theatre on Monday March 26^th 2012.

You will know Eve Ensler as the originator of The Vagina Monologues, V-day founder, tireless international campaigner for women’s human rights, an advocate, a writer, a personality, a heroine and a wit who has used her seemingly infinite energy and success to enable girls and women all over the world in speaking up, shouting out and even taking the stage. A Memory, A Monologue, A Rant and A Prayer is a new performance piece showcased as a collection of one-night performances featuring some of the coolest women performers working today: Rosario Dawson, Eve Ensler herself, Neheh Cherry, Meera Syal, Thandie Newton and more. Memory... is an adaptation of Ensler’s book of the same name. The producers have selected ten monologues to produce a varied and entertaining show expressing how violence against women affects everyone. All proceeds will go to charities dedicated to stopping violence against women and girls including Women for Women International and the Domestic Violence Intervention Project.

In addition to the sharp, shocking, deeply affecting script the Memory... series boasts some incredible art- and acting-world talents as directors: Tate Modern director Chris Dercon; Iwona Blazwick, OBE, director of the Whitechapel Gallery; RADA's Sue Dunderdale and Marcus Warren and Anna Ledwich.

Goldman Sachs Gives altruistic arm (don’t say anything) will be matching all ticket sales with donations, and The Millby Charitable Trust will be tripling this. There are also VIP seats which include the aftershow party with the cast and main players, on sale for £225.

4. Her Noise: Feminisms and the Sonic performance, talks, symposium and screening at the Tate Modern, 3^rd – 5^th  May 2012. Book tickets here.



Image by artist Jan Herman

 After the high profile mainstream success of Eve Ensler’s global empowerment project, I’ll end with something really intriguing, new (to me), avant-garde and promising to look forward to in May. I’ve been contacted by Electra Productions about Her Noise, a three day event which looks critically at political questions in sound, moving image, performance and cross-disciplinary art. It celebrates women in these fields – in particular, longstanding and veteran talents whose practice or influence is still going strong – given context, analysis and discussion by a thrilling range of additional speakers. I hope very much to see much more of this from Electra: putting women artists right back into the heart of cultural dialogue, acknowledging our creativity and importance, treating us to respectful appraisal and positioning us within a broader critical and art-historical framework. Check out the Facebook page here.

Her Noise includes performances and a talk by Pauline Oliveros, an evening considering the legacy of director Meredith Monk and a day of talks and discussions with contributions by Ute Meta Bauer, Cosey Fanni Tutti, Nina Power, Tara Rodgers and more. This programme marks the donation of the Her Noise Archive to the University of the Arts London Archives and Special Collections housed at London College of Communication, and is realised as a collaboration between CRiSAP (Creative Research into Sound Arts Practice), Electra and Tate.

Full details below:

Artist Talk and Performance by Pauline Oliveros

Thursday 3 May 19.00-21.30, £12 / £9

Pioneering composer, performer and humanitarian Pauline Oliveros celebrates her 80th birthday this year. She gives a solo performance and a talk entitled 'Archiving the Future: The Embodiment Music of Women', followed by a performance of her 1970 score To Valerie Solanas and Marilyn Monroe in Recognition of their Desperation in the Turbine Hall.

Film and performance: The Voice is a Language

Friday 4 May 19.00, £5

This performance and screening celebrates the legacy of avant-garde pioneer Meredith Monk, featuring work by artists Sophie Macpherson, James Richards, Cara Tolmie and Sue Tompkins and rarely seen films by Monk. The evening is curated by Isla Leaver-Yap.

Symposium: Feminisms and the Sonic

5 May 11.00-17.50, £20 / £14

Exploring and developing emergent feminist discourses in sound and music, this symposium brings together contributions by musicians, artists, academics and writers, including Ute Meta Bauer, Sonia Boyce, Georgina Born, Viv Corringham, Cosey Fanni Tutti, Lina Dzuverovic, Catherine Grant, Emma Hedditch, Anne Karpf, Cathy Lane, Anne Hilde Neset, Maggie Nichols, Nina Power, Tara Rodgers, Salomé Voegelin.

I hope this round-up fills your diary, freshens your heart and restores your faith. Enjoy!

UN Resolution: the power of educating girls

This is taken from The Power of Educating Adolescent Girls by Cynthia B. Lloyd and Juliet Young, who conducted a UN study on the education of women in developing nations. You can access the full study here.

If you want to change the world, invest in an adolescent girl. An adolescent girl stands at the doorway of adulthood. In that moment, much is decided. If she stays in school, remains healthy, and gains real skills, she will marry later, have fewer and healthier children, and earn an income that she’ll invest back into her family.

But if she follows the path laid down by poverty, she’ll leave school and enter marriage. As a girl mother, an unskilled worker, and an uneducated citizen, she’ll miss out on the opportunity to reach her full human potential. And each individual tragedy, multiplied by millions of girls, will contribute to a much larger downward spiral for her nation. Investing in girls is the right thing to do on moral, ethical, and human rights grounds. Perhaps no other segment of society globally faces as much exploitation and injustice, and we owe girls our support as integral, yet overlooked, members of the human family. Investing in girls is also the smart thing to do. If the 600 million adolescent girls in the developing world today follow the path of school drop-out, early marriage and early childbirth, and vulnerability to sexual violence and HIV/AIDS, then cycles of poverty will only continue. Yet today, only a tiny fraction of international aid dollars is spent – and spent effectively – on needs specific to girls.

Marches, bridges, tweets and Tender: International Women's Day, 8.3.12.

International Women’s Day is on the 8th March. As Amy Dawson wrote in the Metro newspaper today, “Violence against women causes more deaths and disabilities among the global female population aged 15 to 44 than cancer, malaria, road traffic accidents and war.” Combined. She adds, “It is estimated that one in five women worldwide will become a victim of rape or attempted rape and one in four will experience domestic violence.”

The abuse of women is global and endemic – but equally, the fightback is also global, vocal and breathtakingly brave. We women number three and a half billion. For all the mocking talk about women disagreeing and not getting along, which I think is a myth, every woman on the planet certainly agrees on one thing: that women, men and children alike have the right to live, breathe, work, walk, laugh and speak freely without fear of violence, violation, abuse, exploitation, discrimination or any other type of abuse.

We are in the middle of an amazing time of rebellion, activism, questioning, freedom fighting and defiance and we should feel privileged, despite the injustices of the world. We have the opportunity to change that world by our actions, whatever the risks, and we are doing so. Protests against abuse of all kinds – financial, sexual, political, military – are happening all over the world.

Here are just a few of the campaigns being launched around International Women’s Day, which have been brought to my attention. The text below is from the respective charities’ press releases, read through and endorsed by me.

Women for Women International are enabling women from all over the globe to stand with the women survivors of war and call for peace and equality as part of their Join me on the Bridge campaign. If you can't make it onto a bridge, you can make a donation to Women for Women International to support women survivors of war to rebuild their lives.

 The charity points out the following facts:

• In Afghanistan, 85% of women have never had any formal education.
• In South Sudan, one in six pregnant women die in childbirth.
• In Democratic Republic of the Congo, 48 women are raped every hour.

Already, 200 brave women have marched on a bridge in Kabul, Afghanistan to call for an equal seat at the peace negotiation table. Last Saturday, 1,500 men and women marched together for peace and equality in their new nation, South Sudan, following many years of war and instability.

 Women in Democratic Republic of the Congo and Rwanda are getting excited about International Women's Day and the opportunity to make the world a better place with the Join me on the Bridge campaign. You can help the women survivors of war and conflict in the eight countries Women for Women International work in - Afghanistan, Bosnia and Herzegovina, Democratic Republic of the Congo, Iraq, Kosovo, Nigeria, Rwanda and South Sudan - by making a donation now.

A different charity, Womankind Worldwide, is connecting women in a different but equally original way: bhosting a virtual march around the world. They write:

Nowhere in the world do women enjoy the same rights or opportunities as men. Every day women and girls face discrimination, poverty and violence. Globally, 10 million more girls are out of school than boys, and at least 1 in 3 women has been beaten, coerced into sex, or otherwise abused in her lifetime.

But women can transform their lives, their communities and the world if they have the right support. On International Women’s Day 2012 Womankind want to get the message out that the women’s movement is a powerful, global force for change. 


Women demonstrating in Peru. Photo courtesy of
Womankind Worldwide.

Join women and men in marching around the world and show that together we are a force to be reckoned with. You can also explore an interactive world map to find out about the pioneering projects making waves for women’s rights all over the world. And visit www.twitter.com/woman_kind or www.facebook.com/womankind to send a message of support to Womankind’s partner organisations.

 ...And Theatre For A Change, whose work in Malawi I highlighted in this post, will have their gender equality campaign highlighted on their home page - with links to their newsletter.

I have also been contacted by Tender, who work with young people to foster non-abusive and non-coercive relationships. Here's what they have to say:

Seven years ago, Tender designed a small pilot project for young people.  The aim was to change attitudes.  We believed that by educating young people, we could break the silence surrounding domestic abuse and sexual violence.  We could empower young people to promote equality and respect. We started small.  In the end, we delivered the pilot to just 5 secondary schools in London, and we waited nervously for the results. 

The response was overwhelming.  Young people and teachers felt there was a need for this project to grow, to reach more schools, and to involve more young people.   Today, our projects reach more than 100 schools and youth centres in a year. It’s been incredible to watch the explosion of activity by young people to end abuse.  Think back to what we achieved since this time last year on International Women’s Day.....

• 1,242 young people have produced peer education performances about domestic and sexual violence, reaching 15,000 further young people.
• We’ve changed attitudes and behaviours: 91% of the teachers who took part in the delivery and advanced training of our work said that it resulted in positive changes in their students.·        
• Young people performed for MPs, teachers and opinion formers to call the government to prioritise prevention in its Violence Against Women strategy, in collaboration with End Violence Against Women Coalition (EVAW).·        
• Individual young people have found the strength to leave abusive relationships after attending our programmes.

Help Tender celebrate the achievements of last year and invest in their future success with a contribution.  Your support would help Tender expand their campaigns and projects even further and equip even more young people with the skills they need to recognise and avoid violent and abusive relationships. Tender do not have the resources to spend time and money on heavy marketing schemes. They add:

We know that it is very easy to write empowering words about how strong we can be when we work together, but for Tender, we see the proof of that every day. We see it in the young girl who had the courage to leave her abusive boyfriend. We see it in the teacher who became more confident in approaching the issues of sexual violence with his students. And more importantly, we see it in the schools and youth centres that continue to deliver violence prevention after we’ve left. 

 Visit http://www.tender.org.uk/  or email  communications@tender.org.uk for more information.

     

A letter from Malawi: powerful acts of challenge and change

The below was written by Fiona Morrell at Theatre for a Change, who contacted me yesterday. What she communicated was so powerful I asked if I could reproduce her words here. She has many interesting and urgent things to say about Malawi, women, power, abuse, HIV, equality and education. If you would like to know more about Theatre For A Change, please email fiona.morrell@tfacafrica.com

Theatre for a Change was founded in 2003 in Ghana as a NGO focused on HIV prevention. In 2007 it opened an office in Malawi which now employs over 60 people. HIV disproportionately affects women. We use experiential, participatory approaches to equip profoundly marginalised people, almost always women and girls, with the skills and knowledge to protect themselves from HIV and advocate for their gender and sexual rights.

In Malawi we work in two main ways, through formal education, empowering young teachers with skills to pass through to children and make their classrooms more equitable places, and our community work where we specifically work with sex workers.

Sex workers are the most at risk group in the country with an HIV prevalence rate of 70.1%. Our cohort of sex workers go through a process of behavioural change workshops to explore how to gain self confidence and a thorough knowledge of their rights. They then become empowered to become advocates for their rights through legislative theatre. Legislative theatre, based on the ideas of Boal and Friere, is based on the belief that we can tell someone to do something all they like, but it is only through standing in their shoes that real change can be manifested.

The women take their improvisations into places where abusers are, to bars, to the police station. They start performing their stories in their language, and then invite an audience member to take on a role of a vulnerable character. Suddenly a client starts to feel how difficult it is to negotiate for the use of a condom, to feel frightened, to have no choices. The effect is very powerful. Recently the women took their work into Parliament - something which was highly controversial bearing in mind Malawi does not properly acknowledge the presence of sex workers. Their advocacy will help push for legal clarity of their status - something which is currently unsure. They also work closely with the police, the group whom they identify as most likely to abuse them, and who subsequently have the second highest HIV prevalence rate in the country. We hope this will lead to long term systemic change.

One year ago the women launched the equals campaign, demanding the right for women to be seen and treated as equals. This campaign is growing and gathering support from women across the country. Our cohort of women working as sex workers are also given the opportunity to learn income generating skills: metal work, sausage making, hairdressing or dress making which will give them options to leave sex work in the future.

We are unusual in dealing with HIV through promoting gender equality, but we believe, that sustainable prevention will happen only when women are empowered to protect their sexual health. We are soon to start a similar project with sex workers in Ghana.

I believe passionately that the work the women in Malawi do should be heard about and celebrated - not only because of their bravery and determination, but to emphasise that one cannot separate health, social well being and gender - that if we continue to ignore gender inequity we will fail to tackle other great development issues - this really isn't rocket science but it is not, in my opinion, talked about or valued enough.

From Afghanistan to Zimbabwe: Lessons on Tackling Violence Against Women and Girls

On the first anniversary of Lynne Featherstone MP's appointment as the UK Government's Champion on International Violence Against Women The Gender and Development Network invites you to reflect on

the year passed and the year to come. The debate will be from 1-3 pm on Thursday 24 November 2011 in Committee Room 6 at the House of Commons.

Speakers:

• Lynne Featherstone MP, Champion on International Violence Against Women
• Rt Hon Alan Duncan MP, Minister of State for International Development
• Netsai Mushonga, Director of the Women's Coalition of Zimbabwe (WCoZ)
• Selay Ghaffar, Executive Director, Humanitarian Assistance for Women and Children in Afghanistan (HAWCA)
• The event will be chaired by the ever-brilliant Jane Martinson, Women’s Editor of The Guardian

RSVP by 22nd November to lauren.donaldson@gadnetwork.org.uk

Please attend this event to demonstrate to the ministers how seriously you take the issue of violence against women, and to match the commitment the government is showing in sending two ministers to  speak at the event.

The above notice was sent to me by Womankind Worldwide, an international charity whose work I admire greatly and with whom I hope to work and support more intensively next year. In the meantime, don’t miss their Three Butterflies Lunch on Friday 25 November 2011 at The Savoy Hotel, London. The Three Butterflies Lunch will raise much needed funds for Womankind’s Worldwide’s work to end violence against women, increase women’s participation and secure women’s human rights. The speakers this year are Jude Kelly, Artistic Director of the South Bank Centre and Netsai Mushonga, a human rights defender and Nobel prize nominee from WW partner the Women’s Coalition of Zimbabwe. Find out more and buy tickets here.

!Women Art Revolution: a brilliant and salutary film by Lynn Hershman Leeson

I am writing to celebrate the film Women Art Revolution, poster image above, which is being showcased by one of my favourite London galleries, the Whitechapel. For over forty years, Director Lynn Hershman Leeson has collected hundreds of hours of interviews with visionary artists, historians, curators and critics who shaped the beliefs and values of the Feminist Art Movement and reveal previously undocumented strategies used to politicize female artists and integrate women into art structures.

!Women Art Revolution elaborates the relationship of the Feminist Art Movement to the 1960s anti-war and civil rights movements and explains how historical events, such as the all-male protest exhibition against the invasion of Cambodia, sparked the first of many feminist actions against major cultural institutions. The film details major developments in women’s art of the 1970s, including the first feminist art education programs, political organizations and protests, alternative art spaces such as the A.I.R. Gallery and Franklin Furnace in New York and the Los Angeles Women’s Building, publications such as Chrysalis and Heresies, and landmark exhibitions, performances, and installations of public art that changed the entire direction of art. New ways of thinking about the complexities of gender, race, class, and sexuality evolved. The Guerrilla Girls emerged as the conscience of the art world and held academic institutions, galleries, and museums accountable for discrimination practices.

Over time, the tenacity and courage of these pioneering women artists resulted in what many historians now feel is the most significant art movement of the late 20th century. Carrie Brownstein composed an original score to accompany the film. Laurie Anderson, Janis Joplin, Sleater-Kinney, The Gossip, Erase Errata and Tribe 8 are some of the gifted musicians who contributed to our soundtrack.

About Lynn Hershman Leeson:
Writer / Director / Producer / Editor Lynn Hershman Leeson pioneered site specific, performance and interactive media. Most recently, she was honored by the Digital Art Museum in Berlin with the d.velop digital art award (d.daa), the most distinguished honor for lifetime achievement in the field of new media. Her other honors include the prestigious Golden Nica Prix Ars Electronica, the ZKM/Seimens Media Arts Award and, as a Sundance Screenwriter Fellow, she was honored with the Flintridge Foundation Award for Lifetime Achievement in the Visual Arts. She has also received The Alfred P. Sloan Film Prize for writing and directing Teknolust, and in 2006, the International Association of Digital Arts award for “innovative storytelling,” Zero One Prize for “Media that Matters” and a Creative Capital Grant for her documentary, !Women Art Revolution. In 2009, she became a Guggenheim Foundation Fellow and received a Lifetime Achievement Award from Siggraph. Hershman Leeson wrote, directed and produced the feature films Teknolust, Conceiving Ada and Strange Culture, in addition to 14 other films and shorts. The films starred Tilda Swinton, were shown at the Sundance Film Festival, Toronto International Film Festival and Berlin International Film Festival, and were all internationally distributed. Her artwork is held in numerous collections, including at the Museum of Modern Art (New York), The National Gallery of Canada, DG Bank (Frankfurt) and The Walker Art Center (Minneapolis). She has published extensively, is the Chair of the Film Department at the San Francisco Art Institute and Emeritus Professor at the University of California.

Screening dates for !Women Art Revolution: 

• The official UK Première, Launch and In Conversation between Lynn Hershman Leeson & Achim Borchardt-Hume, Whitechapel Gallery's Chief Curator, is on Saturday 15 October at 3pm. The price is £6/ £4 concessions.
• Free screenings are on Sunday 30 October at 3pm, Sunday 13 November at 3pm and Sunday 27 November at 3pm
• There will be a screening and In Conversation between Griselda Pollock and Lynn Hershman Leeson on Sunday 11 December at 3pm, price £6

text (c) Whitechapel Gallery press