Showing posts with label campaigns. Show all posts
Showing posts with label campaigns. Show all posts

Monday, 24 February 2014

On lies, liberation and Liberty

Today, leading human rights group Liberty celebrates its 80th birthday. It has invited over a hundred Writers at Liberty to each contribute a piece of new writing reflecting on the aims, values and actions of the organisation. This was mine. Visit the Liberty80 site to learn more.

"Renaissance Florence was an excellent place for collecting documents. Mainly because they didn’t trust each other.”

I am writing this essay while watching a documentary on Machiavelli. A historian’s walking us through the Florentine state archives, showing the presenter a Medici’s Most Wanted persecution list and pointing out that the individuals on it need not have done anything in particular to have attracted suspicion. The presenter visits the police station where Machiavelli was tortured despite there being no evidence of him being involved in the conspiracy he was accused of.

How wonderful that five hundred years on we live in such different times. These days it would be unthinkable that suspicious and secretive governments might follow, seize and physically brutalise innocent civilians based on little more than mere suspicion. What a relief that we now enjoy enlightened and mutually trustful societies in which authorities have integrity; leaders are honest and accountable; judges provide justice with moral consistency and without cultural bias; the heads of the media, police, politics and big business are not all friends with each other; public bodies are representative of the populace they serve; institutions of power have been washed clean of vested interests; and, as humble but proud citizens, we can truly say that what we see is what we get. How comforting to know that the written and spoken word are enjoined in the furtherance of freedom, truth, justice and progressive harmony instead of being deployed in subterfuge, falsified to justify abuse, misappropriated to bend meaning, exaggerated to support a warlike and crusading atmosphere, worked up to derail arguments or simply logged and aggregated to create a secret archive that can be trawled for incriminating details and useful trivia at any time without our knowledge or consent.

Oh. Aha. I see. And I hear the distant, mocking laughter of Machiavelli as he swigs spectral wine and schmoozes his fellow deceased in the afterlife.

To be fair if not approving, the exercise of power and the methods of that exercise have been employed by those at all points on the political scale for centuries. The Vatican, the Elizabethan court, trafficking rings, the CIA, drugs cartels, the current US Senate, the ancient Roman senate, Interpol, Hollywood studios, the music industry and the mafia all behave in exactly the same way. Their actions are justified by research, which is gained by information-gathering, which includes surveillance, spycraft, infiltration, entrapment, the truth obtained by deceitful means. Those who have power, whether it is legitimate or not, elected or not, formal or not, have always justified their deceitfulness by pointing to the ends, the consequences. Look, they say, we have prevented attacks you never knew about; we have stopped individuals before they committed crimes; we can pre-empt the future because of what we know. They argue that when it comes to the subtlety of government, equivocal definitions of what is right or wrong break down. They argue that it is naïve to talk about what is good and what is bad, which are academic concepts that would disintegrate when the strong light of reality hits them.

They would laugh in my face if I tried to assert that certain actions are simply wrong. Perhaps I should couch the argument in language that wrongdoers would understand: some actions result in no tangible gain, no increase in meaningful intelligence, no advance in strategic position and no overall improvement to justify massive costs in terms of logistics, economics, international standing and public trust. Torture is wrong and does not yield reliable or useful information. Detention without justification, without giving detainees any reason, without charge, without trial, without legal representation, without set duration, is wrong and creates trauma, instability and resentment. Following someone and keeping a record of everything they do, say, write or read is wrong and creates paranoia, alienation and hatred of government.

It is not naive to fight for human rights and civil liberties, it is imperative. Otherwise the future will be one of absolute and mutual mistrust in all directions, between and amongst citizens, countries and world communities. It is obscene that anyone who is a grassroots  activist or a cultural advocate in defence of human rights should be monitored, as many of us are, as though we are perpetrators, abusers or lawbreakers. It is contemptible that petty laws should be invented in order to deter us, vilify us or criminalise us. When accused of flouting human rights, powerful organisations behave in a way that demonstrates that they do indeed routinely and systematically flout the human rights of others while aggressively defending their own interests. Having authority does not mean that you can do anything you want, then close ranks when caught.

The authorities will say that life’s complicated and that we should simply go about our daily business being watched and followed and not bother our little heads about it. If we haven’t done anything wrong, like Google something, go on holiday, go on a march or demonstration, speak at a panel event, sign a petition or have a chat with someone, we won’t have anything to worry about.

Everyone knows that governing is complex and involves subtle negotiation between multiple parties with widely differing views. But when it comes to the fundamentals, some principles are inviolable. I would even go one further and say that there is no difference between the rights and freedoms I expect personally and within personal relationships and those I expect politically and within a public, cultural, legal and social context. They are one and the same. Every human being has the right to live free of physical violation, mental torture, domination, abuse, stalking, surveillance and control. Every human being has the right to live free of fear, acting from their own will and physical and mental self-determination, not because they have been threatened, coerced or blackmailed. Every human being’s sense of dignity is intimately connected with their sense of privacy and their positive assumption of freedom of thought, freedom of movement, freedom of association and freedom of expression. These are not political values, subject to change according to who is in power. They are human values.

It is tempting to be blasé and say that the ruled have always been spied on by rulers, that it was ever thus and will always be thus. But it is not true that the present is exactly like the past only with different clothes, or that history is cyclical, or that you can’t stop Them and shouldn’t try to stand up to Them because They always get Their way in the end.

We have arrived at a unique time culturally and technologically. The authorities’ combination of deceit, control, watchfulness, duplicity and cruelty, masked with outward civility and outright lies, is now played out on a global scale, abetted by ever more efficient means of gathering, storing and sorting information. Many international governments’ covert political alliances and commercial deals for information sharing, the transportation and torture of suspected individuals, the sale of armaments, the levying of wars and exploitation of natural resources and emerging markets run counter to their publicly stated interests, values and allegiances.

This goes far beyond language, although I like a good political euphemism as much as anyone. Rendition means torture and extraordinary rendition means a lot of torture. Waterboarding – which sounds like a delightful low-impact sport that one might enjoy on Brighton’s seafront – is a euphemism for drowning someone. A resistance safe-zone is a rebel stronghold. A defence of privacy for privacy’s sake can be an admission of guilt inviting further investigation. The axis of evil is a mythical land where the US sacrificed soldiers for oil. Security means control. Arming in self defence is incitement to attack. A demonstration can be disorder, resistance can be rebellion, organising resistance means planning insurgency. Companies axing thousands of jobs say they are rationalising, harmonising or recalibrating. Swingeing cuts which put families below the poverty line are rebranded as thrifty, vintage-chic austerity measures. In the Big Society you do everything as before only for free and without state assistance. A ‘terrorist’ can be anything from a civil disrupter to a threat to national security and being accused of being one, even without a shred of proof, can justify any mistreatment whatsoever.

As the world becomes smaller, it is becoming more divided. Just when communication becomes more convenient, it is polluted by wariness and suspicion. Just when we have an opportunity to globalise in thought and intention as well as business, we take up a defensive stance and cling to divisive rhetoric, ignorant stereotypes and mistrustful attitudes.

What I seek is not just liberty but liberation.  Liberation from a mindset of mistrust and demonisation, the vilification of otherness and the paternalistic condoning of all surveillance, detention and physical abuse on the grounds of security. Liberation from the fear that someone is always following us or watching us. Liberation from our entrenchment in a cruel, self-justifying system of control which can be brought down on us at any moment, for any reason. And liberation from the aggressive, combative, violating machismo which argues disingenuously that violence is sometimes okay.

The only weapons ordinary citizens have against these trends are our actions and our words, although journalists are in a trickier position than ever. We are either violating the human rights of celebrities and relatives of murder victims or campaigning for truth and justice or accidentally leaving state secrets on the bus and being hauled up in front of political investigations committees or ethics boards or national security tribunals or international courts, depending on how our actions are interpreted and by whom. We are either peddling damaging lies or damaging truths. We are influential and dangerous, mistrusted because our behaviour is risky and independent. When we try to whistleblow we are accused of jeopardising structures that we could never possibly understand. When we try to investigate those structures and hit upon sensitive material we are scapegoated publicly as troublemakers.

Either way, the ferocity of the reaction to journalists’ endeavours indicates something about the impact of the word. UK and US governments are just as frightened of journalists as governments in Iran, Afghanistan, Russia and Mexico are. They fear the word because it’s powerful. Indeed they use that wordpower themselves, negatively, to stir up tactically useful prejudices, plant slanderous lies, maintain myths which work in their favour and gloss their own violence. Those of us on the other side use our position to create space for a truth denied, a suffering voiced, a protest lodged, a testimony revealed, a campaign launched. This is why I am a part of Writers at Liberty.


NOTES:
  • Read more about the genesis of the project in this brief write-up in Five Dials magazine.
  • If you would like to join Liberty and speak up for civil liberties and in defence of human rights, click here now.
  • To find out more about the many events and initiatives surrounding Liberty's 80th anniversary, please click here.
  • Some of the other writers involved in Writers at Liberty include Naomi Alderman, Yasmin Alhibai-Brown, Tariq Ali, Anthony Anaxagorou, Hephzibah Anderson, Lisa Appighanesi, Chloe Aridjis, Tash Aw, Damian Barr, Alex Bellos, John Berger, Eleanor Birne, Terence Blacker, Malorie Blackman, Rosie Boycott, William Boyd, Margaret Busby, Antonia Byatt, Georgia Byng, Shami Chakrabarti, Tracy Chevalier, Ian Cobain, Edmund De Waal, Jenny Diski, Anne Donovan, Tishani Doshi, Stella Duffy, Ian Dunt, Joe Dunthorne, Geoff Dyer, Fernanda Eberstadt, Lauren Elkin, Bernadine Evaristo, Michel Faber, Jenni Fagan, William Fiennes, Judith Flanders, Ken Follett, Hadley Freeman, Patrick French, Esther Freud, Janice Galloway, Misha Glenny, Niven Govinden, Lavinia Greenlaw, Jay Griffiths, Niall Griffiths, Mark Haddon, Sarah Hall, Mohsin Hamid, Peter Hobbs, Tom Hodgkinson, Marina Hyde, M. J Hyland, Rhian Jones, Sadie Jones, Jackie Kay, Emily King, Nick Laird, Nikita Lalwani, Darian Leader, Ann Leslie, Kathy Lette, Deborah Levy, Richard Mabey, AlisonMacLeod, Sabrina Mahfouz, Hisham Matar, Lise Mayer, Sophie Mayer, Hollie McNish, Michael Morpurgo, Blake Morrison, Tiffany Murray, Daljit Nagra, Patrick Ness, Lawrence Norfolk, Rachel North, Richard Norton-Taylor, Maggie O’Farrell, Catherine O’Flynn, Ben Okri, Don Paterson, Shyama Perera, Adam Phillips, Hannah Pool, Philip Pullman, Ross Raisin, Alice Rawsthorn, Philip Ridley, James Robertson, Michael Rosen, Hannah Rothschild, Elif Şafak, Taiye Selasi, Kamila Shamsie, Jo Shapcott, Nikesh Shukla,  Ali Smith, Daniel Soar, Ahdaf Soueif, Craig Taylor, Barbara Taylor, Kate Tempest, Colin Thubron, Salley Vickers, Erica Wagner, Helen Walsh, Marina Warner and Sarah Waters.




Thursday, 5 December 2013

The Cut: daughters, elders and local health workers speak out about female genital mutilation in Western Kenya

If you’re interested in the issue of female genital mutilation you might also want to read Cutting Us Down To Size: Working To End Female Genital Mutilation

An excellent film called The Cut by Beryl Magoko – not to be confused with the equally impressive recent British documentary The Cruel Cut – received its UK premiere at the 2013 London Feminist Film Festival and was awarded the Best Feature prize there a couple of weeks ago. Filmed in Uganda and Kenya, The Cut is a careful and intelligent documentary which enables diverse members of the featured small, rural communities where FGM is practised to speak about its meaning and history, while maintaining a clear but unpressing authorial sympathy towards the girls who undergo it. Despite comprising interviews and talking heads as well as some close documentary observation, ultimately the body language and silent reactions of the young women speak the loudest. The Cut has already won Best East African Film at the Kenya International Film Festival as well as many other plaudits.



The Cut establishes female genital mutilation as a social practice with a history so longstanding that even its apologists cannot explain it adequately. Both those who oppose and those who defend it mention the pressure girls are under to have it done.

Watching some of the older male apologists for FGM is a chilling experience. They display an odd, chippy defensiveness at being challenged and their comments are shot through with contempt for the (as they insinuate) wilfulness and irrational bloody-mindedness of women. One man says, “If a girl wants she will be circumcised. She runs away and goes for circumcision.” What we see in the film, instead, is the establishment of a haven for countless girls who have gone there to avoid being cut. Despite the existence of this refuge some parents, of both sexes, take the girls away against their will to be cut.

“They make a small mark on the knee,” says one man dismissively. I do not think he is lying outright, although he is speaking with heavy euphemism; I think he genuinely does not quite know exactly what is involved. As the film goes on to show, FGM is a female-perpetrated community act in the moment, although as a cultural practice it is endorsed by both sexes and it is ultimately approved, instigated and organised by men with social power. As one woman warns, “the sons of council elders inherit the right to organise circumcision.” Despite FGM being presented by detractors and apologists alike as something done to women by other women, often those women who are closest to them, its survival as a tradition can only be ended officially by council sons of council fathers, not mothers, wives or daughters.

Another man in the early minutes of the film insists,  “We don’t force them, nobody forces them.” But force is not always physical and momentary. Peer pressure, the weight of long tradition, the heat of expectation, the actions of the majority and the social cost of resisting the practice constitute different types force in themselves – forces which are sometimes harder to resist than the application of physical power. One adult woman explains how an uncircumcised girl will be ostracised and describes being shouted at, verbally abused, mistreated and cold-shouldered at her school, where 98% of the girls had been circumcised. The girls are caught between forces which are at once oppressive of their own instincts and free will and yet socially inclusive, communally approved, deemed to bring order and harmony to all. Another woman says carefully, “a good child has to obey the parents.” Her personal pain and regret are subsumed into a wider vision of what would please the people beyond herself.

One of the many subtle arguments The Cut makes is that female genital mutilation is related to poverty and education. One man says that when a girl has been cut “she can get married, give birth and handle a family,” even though it is obvious that the girls in the film are still virtually children. The under-education (in terms of both social values and academic status) of the parents creates a cycle in which the under-education, physical brutalisation, sexual and labour exploitation and social disempowerment of girls is perpetuated. The cutting of a girl is presented as a sign of her initiation into womanhood and therefore her readiness to marry and procreate. Anti-FGM speakers in the film rail against “illiterate parents” who do not see the value of education for a girl; they circumcise and marry off daughters who might have wanted to continue with their studies.  

However, The Cut also conveys how strong the anti-FGM movement is, with leadership coming from both sexes. Indeed the defensiveness and vehemence of the apologists, virtually all of whom are of an older generation, shows that the drive to end the practice is gaining ground. We see groups of very little girls chanting and holding up signs reading, “Don’t circumcise me! Don’t hurt me!” and “When you circumcise a girl, you destroy her life.” Male preachers urge, “Leave this outdated cultural practice.” Handsome men of marrying age have a pretty persuasive line that makes me smile: they say that FGM excises “the sweetest and most delightful part of a woman.” I always thought that my most delightful parts were my brain and my heart, but there you go. Another man says he doesn’t want to marry a woman who has undergone  FGM because “I want her to be sexually satisfied.” Another man tells a crowd, “You can tell the difference between [happy] wives who have not had it done, and [unhappy] wives who have.” 

The Cut is expertly structured, with a sense of foreboding that increases with every testimony. The women who have been cut, some of them looking barely ten years old, seem bashful, not angry, when expressing their pain and disgust.  “It was very painful. I will never forget,” says one, her eyes sliding as she remembers. Another represses a shudder as she describes the way she was mutilated: “They would use [the razor] to cut everything [around the genital area].”

The Cut’s masterstroke – to use exactly the wrong word – is the access Beryl Magoko has gained to the circumcision rituals themselves. These happen for both sexes. The boys are circumcised in one area and we see them surrounded by countless male friends, neighbours and relatives, whooping, hopping, singing and celebrating. Then we see them standing with their willies hanging out, all looking like skinny kids. Each one clenches his jaw and keeps his chin up, lips firm, eyeing the boys on either side, full of determination not to show any pain. Despite that, quite clearly, it hurts a hell of a lot. When the circumcision is done the boys look dazed and miserable, oblivious to the partying around them. They’re escorted back home by all their friends, bleary eyed and unsteady, silent, as though all they want to do is lie down in a darkened room.

The girls are in a different area. Just like the boys, they are surrounded by their same-sex relatives and supporters. The atmosphere is wonderful, full of celebration, connection and encouragement. I can well understand the sense of rejection and chagrin, even confusion and blame, that a community would feel and then bring vengefully to bear on a girl who refused to undergo FGM. And I could well understand the conflicted feelings of any girl who does not want to be cut yet who is naturally drawn – as anyone would be – to a celebratory event in which everyone participates and supports each other. This is not about girls being too weak to say no, but about the strength of a culture in persuading, muffling, denying or overriding that no. Additionally, The Cut makes it painfully clear that the girls who submit to FGM do not do so because they are passive but because they are innocent. The reality of what exactly will be done to them is concealed from them until it’s too late. 

At the FGM ceremony there is an atmosphere of frenzy, an undercurrent of brisk determination to see it through despite anyone's hesitation or aversion and a core of dark zeal, as at any rite where blood is to be shed. Amidst the celebrations of the brightly dressed older women around them – a celebration in whose rhythms and music I can’t help but hear the refrain cycle-of-abuse, cycle-of-abuse – the girls themselves are subdued. They become increasingly and instinctively nervous as they are jostled to stand in a line and then pushed down to sit on the ground, then lie back when their time comes. We see money changing hands as women buy pairs of surgical gloves from a vendor.

The innocence of the girls is such that one casually helps her mother get a fresh surgical blade out of its sterile packet. The girls are forced back and told to relax with their legs bent and naturally apart. Fear spreads from girl to girl to girl. The older women grow carping, bossy and a little physically rough, relishing their one moment of power. They bully the girls and egg each other on. One of them holds the razor and cuts a girl. It’s unwatchable.

Afterwards, there is silence. The girls look sick, queasy with pain. Their faces are rubbery with shock and, for some, tears pour thickly down their cheeks. Their eyes are dead. The girls are unable to sit up. They are clearly, obviously, visibly traumatised, in shock. A sizzle of glee passes through the older women who throng, dance, gather. They look triumphant, like bullies who’ve gained a point.

A health worker filmed in her clinic says, “after FGM you can have death from bleeding out. You can catch an infection. There can be a cross-infection.”

A male apologist insists, “girls don’t bleed and are not cut painfully.” His comment is not just motivated by an arrogant dismissal of female pain but - as echoed by many of the speakers - a suspicion of health workers. Multiple commentators hint that “the negative effects come from doctors” who they say are misleading people about the risks of FGM despite having to deal with the consequences when things go wrong. There is, overall, a resistance to the kind of change that the clinic symbolises: a national, standardised and networked healthcare system relying on medicalised, non-naturopathic treatments. Something very simple lies at the heart of all this: resistance to change and fear of the loss of defining and unifying rites. “It may end gradually. We can’t stop abruptly. We say it’s an initiation and we believe it’s good for us,” says one man. Another person repeats fervently, “It will not end” because “culture doesn’t end. Ever.”

The girls are escorted home. Their faces have been daubed in talcum powder to mark them as ‘initiated’. With colourful hats and parasols held over their heads they look like little ghost emperors. The pressure of the bodies around them and the willpower of the crowd seem to be the only things holding them up. The people are singing, dancing and jogging alongside the girls.

A still from The Cut by Beryl Magoko
It’s a terrible journey back. The girls pass in and out of consciousness, crying, staggering, fainting, sweating and collapsing, barely able to walk. Their eyeballs roll, their necks go floppy. Blood runs down their legs. They are shaken firmly, scolded and harangued. There is no tenderness whatsoever. Never before has it been so clear that FGM – the entire day, not just the moment of cutting – is not about celebrating the start of womanhood but about forcing female obedience, beginning a trauma which makes girls mentally vulnerable and therefore susceptible to further control and abuse, women bullying girls and the deliberate debilitation and weakening of strong, healthy female flesh. FGM is a socially sanctioned brutalisation process justified as a rite so ancient that nobody can remember its purpose, thereby leaving it usefully open to conventional patriarchal justifications.

A woman describes the “excruciating pain” of female genital mutilation.

Another woman says, “I regretted having gone there – but it was too late.” It was done.

We see the girls being taken home, glassy eyed. They are so traumatised physically and mentally that they’re unable to speak. They are encouraged to lie down. They can barely manoeuvre themselves. We see one mother trying to get her daughter to eat a biscuit. The daughter is unresponsive. She is too weak to chew.

In the aftermath there are countless physical problems, in addition to the mental trauma. It is difficult to urinate and it can take up to three weeks to walk properly. One woman says she “can’t even bathe alone. You need to be held.” Much older women describe how they “staggered” and “couldn’t sleep or walk for ten days with the pain.”

The wound must be left to heal in a certain way. If a girl sleeps with her legs closed the wound is forcibly re-opened.


“It’s so painful that I can’t even explain,” says a woman.

“It is like taking a hot nail and putting it on the wound,” says another woman.

A health worker explains the biologically necessity of the clitoris, which helps the vagina to stretch during childbirth. But FGM can remove the clitoris, leaving scar tissue: “Scar tissue doesn’t expand, which leads to tears, which obstruct labour. This leads to tears upwards and also down to the anus in childbirth. So a woman can develop a third degree tear – vagina to anus.” It’s not the word ‘tear’ that gets me about that quote, it’s the phrase ‘third degree’. Because I’m guessing there aren’t a whole load of degrees to get though and third is pretty much the worst. From this, a woman can develop a fistula, which means that she passes faeces through the vagina, the barrier separating the vagina and anus having been ripped. 

Another health worker adds, “I feel [FGM] should stop. It’s just humiliating. If they want to do it let them do it on adults who can sign their own consent form.” For the villagers shown in The Cut, the power to end FGM officially and decisively is in the hands of the new generation of men, the sons of the council elders.

A woman who underwent female genital mutilation says, “If I could stop it, it would have ended.”


Further reading:
·           An interview with Beryl Magoko about The Cut and the issue of female genital mutilation.
·           The official press pack for The Cut, giving full credits and further details of the film’s history and making, can be accessed here.
·           Read Beryl Magoko’s directors’ notes about the challenges she faced when filming.
·           Listen to award-winning reporter Juliet Spare’s feature on female genital mutilation for Voice of Russia

Bidisha is a 2013 Fellow of the International Reporting Project, covering global health and development.

Wednesday, 7 March 2012

Marches, bridges, tweets and Tender: International Women's Day, 8.3.12.

International Women’s Day is on the 8th March. As Amy Dawson wrote in the Metro newspaper today, “Violence against women causes more deaths and disabilities among the global female population aged 15 to 44 than cancer, malaria, road traffic accidents and war.” Combined. She adds, “It is estimated that one in five women worldwide will become a victim of rape or attempted rape and one in four will experience domestic violence.”

The abuse of women is global and endemic – but equally, the fightback is also global, vocal and breathtakingly brave. We women number three and a half billion. For all the mocking talk about women disagreeing and not getting along, which I think is a myth, every woman on the planet certainly agrees on one thing: that women, men and children alike have the right to live, breathe, work, walk, laugh and speak freely without fear of violence, violation, abuse, exploitation, discrimination or any other type of abuse.

We are in the middle of an amazing time of rebellion, activism, questioning, freedom fighting and defiance and we should feel privileged, despite the injustices of the world. We have the opportunity to change that world by our actions, whatever the risks, and we are doing so. Protests against abuse of all kinds – financial, sexual, political, military – are happening all over the world.

Here are just a few of the campaigns being launched around International Women’s Day, which have been brought to my attention. The text below is from the respective charities’ press releases, read through and endorsed by me.

Women for Women International are enabling women from all over the globe to stand with the women survivors of war and call for peace and equality as part of their Join me on the Bridge campaign. If you can't make it onto a bridge, you can make a donation to Women for Women International to support women survivors of war to rebuild their lives.


 The charity points out the following facts:
  • In Afghanistan, 85% of women have never had any formal education.
  • In South Sudan, one in six pregnant women die in childbirth.
  • In Democratic Republic of the Congo, 48 women are raped every hour.
Already, 200 brave women have marched on a bridge in Kabul, Afghanistan to call for an equal seat at the peace negotiation table. Last Saturday, 1,500 men and women marched together for peace and equality in their new nation, South Sudan, following many years of war and instability.


 Women in Democratic Republic of the Congo and Rwanda are getting excited about International Women's Day and the opportunity to make the world a better place with the Join me on the Bridge campaign. You can help the women survivors of war and conflict in the eight countries Women for Women International work in - Afghanistan, Bosnia and Herzegovina, Democratic Republic of the Congo, Iraq, Kosovo, Nigeria, Rwanda and South Sudan - by making a donation now.

A different charity, Womankind Worldwide, is connecting women in a different but equally original way: bhosting a virtual march around the world. They write:
Nowhere in the world do women enjoy the same rights or opportunities as men. Every day women and girls face discrimination, poverty and violence. Globally, 10 million more girls are out of school than boys, and at least 1 in 3 women has been beaten, coerced into sex, or otherwise abused in her lifetime.
But women can transform their lives, their communities and the world if they have the right support. On International Women’s Day 2012 Womankind want to get the message out that the women’s movement is a powerful, global force for change. 

Women demonstrating in Peru. Photo courtesy of
Womankind Worldwide.
Join women and men in marching around the world and show that together we are a force to be reckoned with. You can also explore an interactive world map to find out about the pioneering projects making waves for women’s rights all over the world. And visit www.twitter.com/woman_kind or www.facebook.com/womankind to send a message of support to Womankind’s partner organisations.

 ...And Theatre For A Change, whose work in Malawi I highlighted in this post, will have their gender equality campaign highlighted on their home page - with links to their newsletter.

I have also been contacted by Tender, who work with young people to foster non-abusive and non-coercive relationships. Here's what they have to say:

Seven years ago, Tender designed a small pilot project for young people.  The aim was to change attitudes.  We believed that by educating young people, we could break the silence surrounding domestic abuse and sexual violence.  We could empower young people to promote equality and respect. We started small.  In the end, we delivered the pilot to just 5 secondary schools in London, and we waited nervously for the results. 

The response was overwhelming.  Young people and teachers felt there was a need for this project to grow, to reach more schools, and to involve more young people.   Today, our projects reach more than 100 schools and youth centres in a year. It’s been incredible to watch the explosion of activity by young people to end abuse.  Think back to what we achieved since this time last year on International Women’s Day.....
  • 1,242 young people have produced peer education performances about domestic and sexual violence, reaching 15,000 further young people.
  • We’ve changed attitudes and behaviours: 91% of the teachers who took part in the delivery and advanced training of our work said that it resulted in positive changes in their students.·        
  • Young people performed for MPs, teachers and opinion formers to call the government to prioritise prevention in its Violence Against Women strategy, in collaboration with End Violence Against Women Coalition (EVAW).·        
  • Individual young people have found the strength to leave abusive relationships after attending our programmes.
Help Tender celebrate the achievements of last year and invest in their future success with a contribution.  Your support would help Tender expand their campaigns and projects even further and equip even more young people with the skills they need to recognise and avoid violent and abusive relationships. Tender do not have the resources to spend time and money on heavy marketing schemes. They add:
We know that it is very easy to write empowering words about how strong we can be when we work together, but for Tender, we see the proof of that every day. We see it in the young girl who had the courage to leave her abusive boyfriend. We see it in the teacher who became more confident in approaching the issues of sexual violence with his students. And more importantly, we see it in the schools and youth centres that continue to deliver violence prevention after we’ve left. 
 Visit http://www.tender.org.uk/  or email  communications@tender.org.uk for more information.
     

Monday, 21 November 2011

From Afghanistan to Zimbabwe: Lessons on Tackling Violence Against Women and Girls

On the first anniversary of Lynne Featherstone MP's appointment as the UK Government's Champion on International Violence Against Women The Gender and Development Network invites you to reflect on
the year passed and the year to come. The debate will be from 1-3 pm on Thursday 24 November 2011 in Committee Room 6 at the House of Commons.

Speakers:
  • Lynne Featherstone MP, Champion on International Violence Against Women
  • Rt Hon Alan Duncan MP, Minister of State for International Development
  • Netsai Mushonga, Director of the Women's Coalition of Zimbabwe (WCoZ)
  • Selay Ghaffar, Executive Director, Humanitarian Assistance for Women and Children in Afghanistan (HAWCA)
  • The event will be chaired by the ever-brilliant Jane Martinson, Women’s Editor of The Guardian
RSVP by 22nd November to lauren.donaldson@gadnetwork.org.uk

Please attend this event to demonstrate to the ministers how seriously you take the issue of violence against women, and to match the commitment the government is showing in sending two ministers to  speak at the event.

The above notice was sent to me by Womankind Worldwide, an international charity whose work I admire greatly and with whom I hope to work and support more intensively next year. In the meantime, don’t miss their Three Butterflies Lunch on Friday 25 November 2011 at The Savoy Hotel, London. The Three Butterflies Lunch will raise much needed funds for Womankind’s Worldwide’s work to end violence against women, increase women’s participation and secure women’s human rights. The speakers this year are Jude Kelly, Artistic Director of the South Bank Centre and Netsai Mushonga, a human rights defender and Nobel prize nominee from WW partner the Women’s Coalition of Zimbabwe. Find out more and buy tickets here.